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My dear friends,
I consider myself very lucky to have lived in this period of time. I had some very fine opportunities. For the most part, I enjoyed my life. I learned a number of languages, studied history, morality, philosophy, art and science. And during my lifetime, I’ve seen major changes in the world around me. I am grateful to the frivolous nature of fate that offered me the opportunity to learn the English language, and so, to be able to write you a bit about our lives here in Jerusalem, and to share with you some of the things I’ve learned from life. One of the many reasons I started blogging, was to overcome the many misunderstandings that exist between the Jewish people and other cultures and peace loving peoples. I had the hope that those things we loved, considered sacred, and shared would enable us to bridge differences and afford us communication.
At the present time, we in Israel are engaged in a war we didn’t choose. As many have declared, war is terrible; it is hell. I carry scars from previous wars, and don’t know if I will survive this one… don’t know what sort of person I will be, if I do survive it. But I can’t go on about my usual business while this is going on. I did try. But I just can’t anymore. I remember, as a young fellow, reading the letter of a Jew in the Warsaw ghetto who wrote of his experiences and then secreted the letter in a bottle, which was plastered into one of the walls of his home. These are different times, and I have been free to write my story by way of the internet, transcending borders and crossing from one continent to another. But I know next to nothing about countering lies. And the immensity of the conflict has weakened my broken heart. Perhaps some day, this blog will be my ‘letter in a bottle’.
At this point, I feel I have no choice but to retreat to the safety of my own little home. I would like to thank the friends I have met in the blogging world for what we’ve shared, and for what I’ve learned from you.
Our national anthem here in Israel is called ‘the hope’. I still have hope. I hope that this parting will be more of a ‘see you later’ than a goodbye. I might continue to post a picture now and then, just to let you know that I’m still alive. But I don’t think I’ll be writing anymore, until this is over. If I manage to survive it, I might write a little about what I’ve gone through. My best wishes to all of my readers, and my gratitude to all of you who’ve shared your lives and interests with me.
Shimon Z’evi, a citizen of Jerusalem.
Always had this romantic love for the country… It was half a century ago, and I was on my way to visit a friend in a little village up north. I was used to buses that ran every few minutes, back in the city. Hadn’t occurred to me to check the bus schedule. So here I was, out in the country, after the big intercity bus had let me off… waiting… and no bus came by. I slipped my bag over my shoulder and started walking along the country road. What did it matter if it took me an hour… or even three. I was young, and the day was beautiful. I could walk.
After I’d walked for about a half an hour, I heard the sound of a tractor coming down the road. It wasn’t moving fast, and you could hear it a long way off. I turned around and watched as it approached. Made the sign of the hitch hiker, and he slowed down to a stop. “Where you going?” he called out to me over the noise of the tractor. It was a big one, and it towered over me. I told him the name of the village I was headed towards. “I’m going to the same place,” he said. “But you’d have to sit on this dirty fender, and you’ve got your Sabbath suit on”. I’m not worried about that, I said, and with a smile, got up on the fender and rode the rest of the way. It was like visiting heaven. There was nothing I didn’t like about the place.
In the years that followed, I never got over the love I had for that beautiful piece of country. We even lived there for a while. But my darling wife couldn’t appreciate it the way I did, so we went back to the big city. That wasn’t hard for me, because I was part of Jerusalem too, as she was part of me. But there was something about living in the country that left me with a great longing for that kind of life.
This was long before people started having ‘virtual’ experiences, and living the virtual life. But even back then, the difference was profound. I felt an intensity in the country life that made the colors more brilliant and the earth under my feet more immediate. There was an intimacy with nature that was always with me. I could listen to the plants growing… hear the flies as they flew in the air. I always had the feeling that it was a better place to bring up children. When you live in a village, you get to know a lot of people, all of whom are contributing something to the welfare of the general population.
It isn’t as abstract as living in the city. You actually get to know people and the way they work… what they do all day. That’s the benefit of a real community. When you grow up with people you meet every day, you get a more realistic example of what can be gained in this life. You might get to know the garage mechanic and the barber, the horse trainer and the scholar. You see them working. You see a working man or woman on their feet from morning to night, and the farmer repairing fences. When you try helping with the chores for a neighbor or a professional in town, you get something of an idea of whether their work would interest you, whether you could really figure out the sort of problems that they have to deal with all the time.
The photos here are from the same village… taken just a few years ago. Time moves a little slower there. The society I got to know there has changed a lot. But the village itself still carries traces of its past. And the people too, aren’t quite as up to date as we are in the city.
As I mentioned in my previous post, one of the features of that walk through the Nachlaot neighborhood of Jerusalem was the examination of the graffiti found there. I enjoy street art, and have grown more tolerant of the scribbles and the name inscriptions that are also included in the category. But I’ve noticed that even in those cases where I was really impressed by a painting appearing on a street wall, after a short while I tend to take it for granted, as I pass by again and again.
But sometimes, the unexpected can spark a greater interest. That is, if a picture has been moved or changed, or one that I especially liked has disappeared or been blocked by some other structure. Then, there’s that chase after old friends. And part of the chase is always the discovery of new contributions unnoticed before. Many are difficult to photograph because of limited space in the small alleyways of our city.
There is a series of very special miniatures that I like… they are in a place exposed to harsh nature and may not last all that long. Another series of paintings I especially enjoy, have something to say in the way of morality and self criticism. They are on a wall that seems almost too public. I worry that they will soon be replaced by advertisements. I remember some biting messages that had a short public life before being painted over by someone who didn’t care much for what they said.
On my walk last week there were the big paintings, colorful and full of life. And there were also some very modest ones that you could easily miss, if not looking for them. Some seemed like footnotes to those ‘in the know’. One of them said, ‘sex now’, and I suppose it was meant as a retort to the many banners of ‘peace now’ that can be seen around the country. The drawing under that title was unexpected, and wide open to interpretation.
One of the most interesting series I’ve encountered here might have been produced by three separate artists. As they appeared, I imagined two artists adding their works to the original inscription, though it could have been produced by the same artist who came back to the scene and added yet another and then another. All of the illustrations speak of a longing for Jerusalem by the Jews of the diaspora.
There are these closed metal boxes that one finds all around the city, containing electric meters and connections of sorts. It is common to find paintings on their sides. Sometimes it’s a very abstract composition of form and color, and sometimes a picture of a butterfly or bird. It seems a lot of work was invested into this rendition of the inside of a refrigerator filled with drinks.